That may be an exaggeration, but your bio is definitely an important marketing tool, one that will either work for or against you and your work. It's worth taking the time to do it right.
This is the rest. A few trials proved my bio counterproductive. I was seated on stage as guest of honour behind Buckminster Fuller when he spoke here to a packed house of Bucky graduated from Harvard, I did not graduate from high school; culture clash makes me poison ivy in academe.
Neither does my track record sell a character drama. My first expulsion ended my public schooling. My photographic memory wrote exams without error. I refused to be treated as a child. I was there to learn, not to be taught; pedagogues do not know the difference.
My employer started training me to supervise the largest construction projects in the country; with little schooling, my employer led the local industry. I was expelled a second time for an assigned term essay telling Why Kids Quit School.
I told it like it is. My opera was mature; my school teachers were not. My e-trilogy is an action crime mystery with song and dance scenes, an almost paranormal character drama in a tragicomedic road show about naive fish out of water.
It is soap opera for the thinking woman. The market returned its verdict on my essay, my opera, my best-seller, and my first novel went viral briefly.
You question that a man can create female characters. And women write men skin thin. My main protag is a singleton raised as a son by her General Dad in an overprivileged home; I do not expect many readers to know such an unusual character better than me, so I have a wide margin for error.
I speak through the third character whom no reader will believe. Fledgling story tellers are told to know everything about their characters. Detail is not character; motive creates character.
Complex motives create complex characters. Circumstance creates motive; complex circumstance creates complex motives. A story is about somebody who wants something; ET wants to go home. Writing is blocked when motive is lacking. Culture dichotomizes reality into subjective and objective, inner and outer, female and male, yin and yang.
Women are supposed to live inside; a man with an inner life is disparaged as effeminate. My observer is blind; she can function only by bringing her outside inside.
My characters are searching for their other halves —- which is basically what romantic fantasy is all about. Everybody believes the authorized fantasies; whole people are not believed in the demimonde of illusion.
Whole people are paranormal. In stories, people seek to find or escape from what is missing in their lives. My protags are are not proper women because their parents did not provide all their spirits need to be whole.
They search for their whole selves throughout their stories. The whole self is the treasure in the cave guarded by the fearsome dragon, the pearl beyond price, the Kingdom.
Every morning, I read a couple dozen bios of my competition. I downloaded books by a couple dozen of the most interesting.-Short Bios: These are usually paragraphs in length and are perfect for the brief bio section on a website or presentation. We work with any materials you provide.
-Long Bios: These bios are 1 page in length and require a short phone interview. A bio is a summary of the highlights of your career—your training, credits, and something about you personally, i.e.
what you do when you are not acting. 6 Steps to Writing a Great Bio Backstage. If you’re writing a bio for a personal, but work-related, website, review bios on websites you frequently visit that relate to your career field or .
When writing a short author bio for an online or print byline, write in third person. Example: Joe Schmo is a graduate of the MFA program at Respected University.
His short fiction has appeared in MyWritingRocks Magazine, The Awesome Writer Review, and PleaseSignMe Journal. The Biography Newspaper Article Template serves as a readymade document to write a spotless biography in a few minutes. Coming with various fields, sections, and headers, all of these templates enable you to mention comprehensive account of a person’s life history and achievements in brief.
The bio should open with a first line that encapsulates, as far as possible, what is most significant about the artist and his or her work, rather than opening with biographical tidbits, such as where the artist went to school, grew up, etc.