The lover book vs film

I heard her voice as if it were inside my head, Very early in my life it was too late. It was already too late when I was eighteen. How did you get there, my friend? Or should I call you my sister, since from the beginning I discovered we shared anguishes and most certainly a great multitude of passions and dreams?

The lover book vs film

A Guest Post by Rebecca Lily With the comeback of film over the last few years, many digital photographers are questioning whether or not to make the switch.

This is a decision I had to ponder myself as well. Is it worth adding a Contax to the arsenal and shooting weddings on film? I would like to present my honest view of film vs.

I have not had a fabulously great lab develop any of my film work, only a local lab with mixed results. I have never shot film for any of my professional work, only my personal projects. But I am an ardent admirer of a few great pro film photographers and a continuous student of photography — both in the film and digital arenas.

Film Nikon FM2 Nikkor 50mm 1. Then Camp C who use or at least tolerate both, and admit that both formats have strengths and weaknesses. Speaking in terms of my professional work, I would define myself somewhere between Camp B and C.

After playing around with film a bit myself and studying the work of other photographers, I can definitely acknowledge that film has several advantages over digital — mainly, the dynamic range or, ability to retain details in highlights and shadows over a wide range of stopsand also the forgiving nature of film when you overexpose it.

In my opinion, I think digital has only one major weakness when compared to film, and that is dynamic range. Your digital camera simply will not handle light as well as film does, and the light will not look as soft and even as it does with film.

But I think this problem will improve over time with digital cameras, as newer models with better sensors are developed. You can already compensate this weakness by shooting in RAW format to maximize the recovery of details in highlights and shadows, and by working on improving yourself technically so that you achieve more consistently precise exposure.

Digital Nikon D Nikkor mm 2. But what about those beautiful filmy colors? This is where post-processing comes in, and where I personally found my tipping point that made me stick with digital. Every film image is processed by the lab that develops it, and is color corrected during the scanning process — and sometimes also in the initial developing process for example, push or pull processing, or cross processing.

Digital images need developing work too, in order to get optimal results. And with a bit of post processing, I find that I can replicate or interpret this vision with some of my digital work, where it suits. But with a bit of Lightroom or Photoshop I can capture the essence of what I love about the looks of film in general, with my own artistic stamp.

I enjoy having creative control over how I want my colors to look for each individual session that I shoot, rather than handing that control to a lab. One of the most important steps in post-processing a digital image to replicate film is to carefully control the light and the highlights.

In my normal workflow, I first develop my RAW file in Lightroom, either with a preset or with individual tweaks such as highlight recovery and exposure correction. I usually finish my images in Photoshop with actions. Overall, filmy looks should have lower contrast, reduced saturation, softened and controlled light, subtle creamy highlights, and a matte finish.

If you know your way around Photoshop and can produce these effects, you can put together interesting combinations to give your images a filmy finish. If you need a hand with achieving those effects, there are a good many professional products that can help.

Many of my own presets and actions are specifically designed to create this look. If you are interested in how I achieve some of my film-inspired looks for my digital images, I share some of my post-processing recipes on my website, www.

Film will always have its place in the world of photography, and so will digital.

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She is also a designer of Lightroom presets and Photoshop actions, which can be found on her website. Johnny and Rebecca make their home in beautiful West Cork, Ireland.L'Amant = The Lover, Marguerite Duras The Lover (French: L'Amant) is an autobiographical novel by Marguerite Duras, published in by Les Éditions de Minuit.

It has been translated to 43 languages and was awarded the Prix Goncourt. It was adapted to film in as The Lover/5. of over 80, results for "the lover book" Showing most relevant results.

See all results for the lover book. The Lover Sep 8, by Marguerite Duras. Paperback.

The lover book vs film

Withoutabox Submit to Film Festivals: Woot! Deals and Shenanigans: Zappos Shoes & Clothing: Shop Online in the Middle East. Free Essay: Mayra Perez ENG July 2, The Lover Book vs.

Film Marguerite Duras publishes The Lover in A book that becomes one of the best. The Lover Summary & Study Guide Description.

The Lover Summary & Study Guide includes comprehensive information and analysis to help you understand the book. This study guide contains the following sections. Lover Unbound (Black Dagger Brotherhood, Book 5) - Kindle edition by J.R. Ward.

Film vs. Digital

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The Lover (Duras novel) - Wikipedia